Behind the scenes: 2 minutes and 24 hours

I was one of millions who braved traffic and potential gas shortages to drive to the middle of nowhere to see the total solar eclipse earlier this month. If there were any doubts as to whether the effort was worth it, they vanished the moment the sun disappeared behind the moon.

The two minutes and 10 seconds where the sun’s corona was visible in the midday sky were truly spectacular. But it was also only two minutes and 10 seconds. There were many more photographic opportunities during the 24 hours I spent chasing the eclipse. And I tried to take advantage of as many of them as I could.

One scene, infinite possibilities

I've always been a little envious of painters. If you're trying to capture a scene and the clouds aren't quite right, a painter can just make them right. Photographers have to make do with what nature provides — at least at that moment. As one grows as a nature photographer, however, the act of creating an image becomes more like creating a painting. And I'm not talking about the use of Photoshop.

Photography does involve being in the right place at the right time, but that doesn't mean it's always entirely left up to chance.

You get what you get

The image at the top of this post was supposed to be of a large flock of snow geese and Mount Baker. Instead, it's of a large flock of western sandpipers and Mount Rainier. And that's perfectly fine with me.